The stage that occupies the iconic Peterborough Players barn has been beautifully transformed into the interior of a 19th-century English estate for the third production in the Players’ 2024 summer season, “Pride and Prejudice.”

Directed by interim Producing Artistic Director Charles Morey from playwright James Maxwell’s adaption of Jane Austen’s legendary novel, everything in the production has been meticulously designed to send audiences back in time, and the performances from the stellar cast are sure to please longtime fans of the novel.

If you’re unfamiliar with the literature classic, the plot follows the Bennet family, in particular the eldest daughter Elizabeth, as they navigate issues of class, marriage and morality in early 19th-century England. When the wealthy Mr. Bingley moves into the nearby Netherfield estate, he quickly becomes infatuated with Elizabeth’s sister, Jane.

While Mr. Bingley is friendly, outgoing and well-liked, his closest friend, Mr. Darcy, appears rude and aloof. Initially dismissive of each other, Elizabeth and Mr. Darcy confront their own flaws and societal expectations as they navigate the social complexities of 19th-century English high society.

Maxwell’s adaption is light and breezy, sticking closely to the source material. Between maintaining English accents and the complexity of some of the dialogue, the impressive cast should be commended for their performances. Nisi Sturgis shines as Elizabeth, delivering an emotional performance in a role she disappears into. Glynis Bell and Douglas Rees – portraying Mrs. and Mr. Bennet, respectively – perfectly embody their characters, with Mrs. Bennet’s high-strung nature providing several standout comedic moments. Abbie Brown, Karina Nicole Ithier and Angelika Menedez turn in equally hilarious performances as Elizabeth’s immature younger sisters Lydia, Mary and Kitty.

There was fantastic romantic chemistry between London Carlisle’s Mr. Bingley and Alanna Smith’s Jane, and their performances help really sell an important third-act revelation. Kraig Swartz deserves a shout-out for his hilariously awkward performance as Mr. Collins, who unsuccessfully tries to win Elizabeth’s hand in marriage in a humorous exchange. And Michael Raver is perfectly cast as the haughty Mr. Darcy. He believably portrays the nuances of Darcy’s character and eventual growth.

The production uses a single set that acts as the various estates in which the characters reside. It’s a simple and effective solution, only improved by the meticulous set design from scenic designer Emmy Boisvert. Exterior scenes employ a subtle ambiance that helps bring them to life.

Costume designer Sam Fleming deserves recognition for the beautiful period clothing worn by the actors. Each costume clearly represents a character’s social status, adding to the authenticity. Similarly, attendees might be surprised to learn that many of the actors’ hairstyles are actually wigs designed by Kevin Foster, whose career in wig-making began when he worked as an intern for the Players. Artificial sideburns and facial hair also help add that extra bit of authenticity.

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Those unfamiliar with “Pride and Prejudice” might be surprised at just how accessible the story is. It is a timeless romantic-comedy classic, whose themes and morals are just as relevant today as they were in 1813 when the novel was published. The Peterborough Players’ adaption is a perfect introduction for newcomers and should be a treat for long-time Austen fans. This is a production where every member of the cast and crew are firing on all cylinders and producing top-notch work, from the sets and costumes to the performances.

“Pride and Prejudice” runs through July 28. Shows are at 7:30 p.m., with a 4 p.m. Sunday matinees July 28. For information or to purchase tickets, visit peterboroughplayers.org.